On this day in 1962, Bob Dylan walked into a studio and recorded "Blowin' in the wind":
"“Blowin’ In The Wind” bore little or no resemblance to the highly topical, highly literal protest songs of the day, but that may have been precisely what made it so effective as a protest song. A lyric like “How many roads must a man walk down, before you call him a man?” lends itself perfectly to those seeking racial justice, just as “How many seas must a white dove sail, before she sleeps in the sand?” does to those seeking peace. The moving, vaguely spiritual, clearly dissatisfied, yet ultimately ambiguous nature of “Blowin’ In the Wind” made it the quintessential protest song of the 1960s—”A song that the times seemed to call forth,” in the words of critic Greil Marcus.A year later, Peter Paul & Mary released it and it became a huge hit.
It also represented a significant breakthrough for Bob Dylan as a songwriter. From “Blowin’ In The Wind” onward, Dylan’s songs would reflect a far more personal and poetic approach to self-expression—an approach that would lead him away from songs like “The Times They Are a-Changin'” and toward songs like “Like A Rolling Stone.” And Dylan’s development as a songwriter would, in turn, have a similar effect on The Beatles, whose own move from “I Wanna Hold Your Hand” to “A Day In The Life” can be traced directly to their exposure to The Freewheelin’ Bob Dylan in the spring of 1964."
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