On this day in 1964, a very strange movie opened in the US.
It was: Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb! It was based on a rogue officer who decides to use nuclear weapons against the old USSR.
This is what Roger Ebert wrote about the movie:
"Dr. Strangelove" (1964) is filled with great comic performances, and just as well, because there's so little else in the movie apart from faces, bodies and words. Kubrick shot it on four principal locations (an office, the perimeter of an Air Force base, the "War Room," and the interior of a B-52 bomber). His special effects are competent but not dazzling (we are obviously looking at model planes over Russia). The War Room, one of the most memorable of movie interiors, was created by Ken Adam out of a circular desk, a ring of lights, some back-projected maps, and darkness. The headquarters of Gen. Jack D. Ripper, the haywire Air Force general, is just a room with some office furniture in it.Frankly, it was very strange!
Yet out of these rudimentary physical props and a brilliant screenplay (which Kubrick and Terry Southern based on a novel by Peter George), Kubrick made what is arguably the best political satire of the century, a film that pulled the rug out from under the Cold War by arguing that if a "nuclear deterrent" destroys all life on Earth, it is hard to say exactly what it has deterred.
"Dr. Strangelove's" humor is generated by a basic comic principle: People trying to be funny are never as funny as people trying to be serious and failing. The laughs have to seem forced on unwilling characters by the logic of events. A man wearing a funny hat is not funny. But a man who doesn't know he's wearing a funny hat ... ah, now you've got something.
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